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November 25, 2018

Photo Essay: Bob Baker Marionette Theater Company Bids Farewell to Their Home of 55 Years

Ever since I moved to LA nearly eight years ago, I've been preparing for this day. The closure of the Bob Baker Marionette Theater was always a clear and present danger.



When you know something's going to be taken away, you try to not get very attached.



 But the urgency of experiencing as much of it as you can before it disappears makes any attachment you forge even stronger than it would've been otherwise.



It's been a rollercoaster, even while Bob Baker himself was still alive—the theater company falling into debt, continuing to lose money, not be able to pay the mortgage—but we thought the theater had been saved and that the puppets and their masters were in LA to stay.



And they are, but they're losing the building they've called home since 1963 to a condo development—despite the fact that it was designated a Historic-Cultural Monument. That, however, does not guarantee any salvation for the building.



The theater at 1345 West 1st Street wasn't Bob Baker's original home. After all, when he moved in, he was already 20 years into his career. But it was built to his exact specifications—and it hasn't changed much in 55 years.



It's also where Bob and his team did the majority of his work—the sketching, backdrop painting, scripting, and soundtrack selecting.



It's also where at least two decades' worth of marionettes were fabricated—costumes sewn, hands and feet carved, faces painted.



Since Bob's death in 2014, the young puppet enthusiasts who took over have transformed the inside of the theater...



...into a kind of museum tribute to Bob and his work.



You can walk around and examine plenty of puppets not featured in the current show...



...in both the lobby and the ice cream room.



On Friday, we had the chance to say goodbye to them all, before they're packed up and moved (or not) to the as-yet-undisclosed new location.



In the meantime, Bob Baker Marionette Theater the troupe will perform its Nutcracker at Pasadena Playhouse—and after that, they'll become a roving band of puppeteers for a few months while they pack away all the puppets and Bob's archives.



For the final day that the theater was open, the puppeteers brought out some of their favorite stars of the puppet shows...



...as well as some puppets I've never seen in the 10 or more shows I've attended.



The day after Thanksgiving, among the puppets that were brought out of the closet and paraded around were a pardoned turkey, a snake oil salesman...



...a monkey riding a giraffe...



...and a working model of a Pinocchio marionette that Bob had designed and fabricated for Disney.



Pinocchio isn't the only collaboration between Bob and Walt—Bob also did the puppets for Bedknobs and Broomsticks, Escape to Witch Mountain, and Walt Disney's Wonderful World of Color. 



His marionettes of Jiminy Cricket and Minnie Mouse were sold at Disneyland for decades. Although Bob didn't make the marionettes sold at the Bob Baker Marionette Theater gift shop, I had to buy one for myself as a souvenir.



The imminent departure of the troupe from the theater also opened up the backstage area for wider public access during the Best of Bob Baker farewell show.



Although I'd been backstage four years ago, it was during the run of Fun With Strings...



...which means I hadn't gotten to see the monkeys...



... or clowns from Circus.



And I hadn't gotten up close and personal with the dancing carrot (though I had met Mrs. Broccoli and a tomato from Revolt of the Vegetables at a gallery show).



In the three weeks before the final performances at Bob Baker Marionette Theater, I attended no less than four shows...



...the Halloween Spooktacular on Halloween...



...the Best of Bob twice...



...and a final time, during the open house, on that last day.



I didn't just get choked up. I found myself full-on bawling.



A little girl next to me was fighting with someone I presume was her grandmother, asking to leave and saying, "I'm too old for this!"



I chimed in with, "I'm 43, and I'm here by myself." The woman with the little girl said, "I'm in my 70s, and I'm loving this!"



Maybe that little girl will come around one day. But when she does, it won't be in this magical, outdated, haunted theater.



It'll be somewhere else, someplace some people will consider a major upgrade.

But no matter how good that next place is, the real spirit of Bob Baker lives on in the puppets and strings and costumes and hands of the puppeteers that give them life.

Wherever they are, Bob's legacy lives on.

The magic will follow.

Places have meaning, but places aren't everything. Buildings burn and crumble after earthquakes. Humans heartlessly tear them down.

As long as the puppets are saved and still get brought out on stage, the Bob Baker Marionette Theater will survive.

Related Posts:
Photo Essay: Behind the Scenes at Bob Baker Marionette Theater
The Art of Master Puppeteer Bob Baker, Upon His Passing

July 31, 2021

Bob Baker Marionette Theater Brings Enchantment Back In Its Grand Re-Re-Opening (After A 16-Month Closure)

The year 2020 was a rollercoaster for everybody, but I can only imagine the panic felt by the fine folks at Bob Baker Marionette Theater...

 circa 2019

...who'd just managed to reopen in a new space (the former York Theatre in Highland Park, Los Angeles) in December 2019 after getting pushed out of their home for 55 years

July 03, 2024

Photo Essay: Celebrating a Diamond Jubilee Year Backstage at Bob Baker Marionette Theater (Updated—The Neon Is Lit!)

[Last updated 10/13/24 5:33 PM PT—Photos of new neon sign added to bottom of post.]

The renowned Bob Baker Marionette Theater is celebrating its 60th anniversary...

 
...and upon this momentous occasion, it's currently putting together its first brand-new show in 40 years, Choo Choo Revue.

November 29, 2014

The Art of Master Puppeteer Bob Baker, Upon His Passing



Bob Baker, master puppet-maker and puppeteer of the Bob Baker Marionette Theater, died on Friday of natural causes at age 90.

I refuse to grieve. He wished for no services, no sadness at his passing.

Although we never met, and I never actually saw him in person, he brought me a lot of joy during my time in LA. And so in lieu of mourning, I would like to honor his memory, and, more importantly, his creations. Here follows a photo essay of some of his marionettes – common and obscure – that were on display at the Blue 5 Art Space in conjunction with this year's LA Puppet Fest back in April. Having just lost my job, it was when I needed them the most.

This is a tiny sampling of the over 3000 puppets that serve as the rotating cast for the various productions of the Bob Baker Marionette Theater, built by Bob himself, their moves and dance routines choreographed by him as well.


Petunia (c. 1955)


Tomato (c. 1952): from KTTV's "Revolt of the Vegetables"


Mrs. Broccoli (c. 1952): from KTTV's "Revolt of the Vegetables"




Hollywood Mouse (c. 1981)


Opera Singer (c. 1950)


Dodo Bird (c. 1954): an extinct bird performing an extinct dance, The Charleston


Cleopatra (c. 1960)


Gorgeous (c. 1981)


Sugar Plum Fairy (c. 1959)


Elephant with Girl (c. 1952)



There are lots of great puppeteers at the theater now that have been carrying on Bob's legacy for a while, as his age advanced and as he went into hospice. The theater building has been threatened with demolition and development several times even since I moved here. No one really knows what will happen next, or where the puppets will go if they lose their stage and storage space.

Related Posts:
Photo Essay: Behind the Scenes at Bob Baker Marionette Theater
Photo Essay: Fiesta! at Bob Baker Marionette Theater
Photo Essay: Christmas With Puppets
Photo Essay: Puppets on a Spring
Photo Essay: Puppets on a Spring, Addendum: Equinox Edition
Photo Essay: Halloween at the Marionette Theater

February 24, 2014

Photo Essay: Behind the Scenes at Bob Baker Marionette Theater

I find the puppet shows at Bob Baker Marionette Theater entrancing.

I usually go during the week, when a few chaperones bring troupes of young schoolchildren, who scream and crawl and bounce, alternately grab at the puppets and wince away from them, and outnumber the adults by a good proportion. I'm the creepy old lady without kids in the back.

Every now and then, they'll have an "adult-themed" evening where I can avoid kids, but then I'm the creepy old lady who wants to sit on the floor and act like a kid, giddy at the puppets sitting on my lap and stroking my hair.

This weekend I went to see Bob's "Fun With Strings" show for the second time this spring, incentivized with the chance to get a glimpse backstage and behind the scenes at the puppeteering, and the marionettes themselves.

Those things have taken on some kind of real existence to me, with each individual persona as distinct and lively as each of my stuffed animals while growing up in Syracuse with no friends, and only a sister - and a menagerie of dolls and bears and puppies and rabbits - to keep me company.



Sitting on the floor at eye level with the puppets, the show can be kind of a blur. All sorts of creatures sail through the air in a circular dance, guided by strings but taking on a life of their own. It's hard to catch a still moment with any of them.



They dance and skate...



...wiggle and shimmy...



...and sometimes even fly.



A little bit circus...



...and a little bit vaudeville...



...it's always a grand, musical show.



After the show, audiences get free ice cream, and the chance to buy a marionette of their own...



...and on this special day, we got to watch the puppeteers bring the marionettes to life, up close.



Not only did we get to look out from the "stage" area into the house...



...but we got to go behind the curtain...



...to the small backstage where they store the puppets actively used in the current show.



A set list hangs as a reminder of the show's sequence.



The puppets are nested away, dangling from their strings, hung carefully from S-hooks to keep them straight and untangled.



It's a little bit creepy back there...



...but then again, this theater - like many in LA - is notoriously haunted.



The strings glisten in the dim working lights.



The lighting board, marked in fluorescent tape, is lit in black light.



Is it weird, as a grown woman, to want to meet the puppets? To prefer to hang out backstage with them than to reenter the real world?



To not be scared by the ghosts?



Bob Baker - the mastermind behind the marionette theater, the maker of all the puppets, and, you might say, the ultimate puppetmaster - turned 90 years old this year, and still oversees the theater's productions as much as possible, dictating they use the same old music they've used for the last 40 to 50 years. Every now and then, a new puppet is introduced, but there are thousands of puppets to choose from, making it easy to curate a new show or a new version of a show. (I hear a rendition of Arabian Nights has been in the works for 20 years...) But mostly, the same choreography has been handed down from puppeteer to puppeteer in a folk tradition.

Hopefully they can find enough young people interested in carrying on with puppets for a few more decades to come.

Maybe they're recruiting and would consider a weird old lady like me.

Related Posts:
Photo Essay: Halloween at the Marionette Theater
Photo Essay: Christmas With Puppets
Photo Essay: Puppets on a Spring
Photo Essay: Puppets on a Spring, Addendum: Equinox Edition