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April 07, 2013

Photo Essay: Along the Old Stagecoach Pass

It's amazing anyone ever made it out this far West. There were so many obstacles in the way - as evidenced by the Gold Rush pioneers of the 1840s and '50s, many of whom got lost through Death Valley, a journey whose obstacles alternated between dry as a bone deserts in the low elevations and impassably snowy mountains in the high elevations.

And even once they got out here, how did they ever get around? In the late 1800s, the industrial revolution brought incline railways to get you up to the top of a mountain, but that was more or less a commuter's solution, or a tourist attraction. In the mid-1800s, after the pioneers got here and settled in, how would they get from, say, San Francisco to Los Angeles?



Around 1860, a route was carved out of the ancient sandstone (dating back 60 to 80 million years) in the Simi Hills, located in the west end of the Valley:



...the Old Stagecoach Road.



You can walk along it by foot now, though it's closed to traffic.



The trails to get to it are still being worked on, but you can see the rock outcroppings in the Simi Hills in the distance.



At one point, this road had been paved, but its blacktop has almost entirely broken up.



In other places, it feels as though fresh dirt has been unearthed from elsewhere and relocated here.



The trail seems innocuous at first, the biggest challenge being the soft, deep dirt.



But you soon realize, you are going up, over those rocks, just like a stagecoach once did.



The park itself is still a work in progress, meaning little traffic along its multi-use trails, allowing for a few untrampled wildflowers.



This pass was so steep, along exposed rock face of the hills, it earned the name "Devil's Slide."



It was a treacherous path for the wagons that came down over it, primarily carrying mail.





In certain sections, you can still see the ruts left by the wagon wheels.



Reportedly, in order to make it over Devil's Slide, the horses drawing the wagons had to be blindfolded...



...and passengers didn't even bother. They disembarked and walked.



It is tough hiking up the pass through Devil's Slide...



...much like rock-climbing, with a bit of a scramble.



It is hard to imagine anything with wheels making it over this terrain.



It's a feat impressive enough to warrant a historic plaque (made of mosaic tile)...



...and a portion of the trail being designated a historic monument.



Ultimately, in the early 1900s, a train tunnel was bored out of the Simi Hills, still in use by Amtrak and Metrolink. You can see the tunnel and some open tracks from the Stagecoach Road.



Despite the city views of Chatsworth below...



...it's easy to feel lost up there...



...exposed...



...and abandoned.



At the top, a number of unmarked trails lead seemingly to nowhere...



...perhaps off a cliff...



...intermingling with fallen telephone poles whose lines may or may not work anymore.



But, besides me and the one mountain biker I saw, there is life up there...



...not only the wildflowers...



...but also some big, lazy lizards and the first rattlesnake I've seen this season.

People who come out West must have a tough constitution in order to survive. Even in these modern times, it is still a rough landscape, whose obstacles alternate between jammed freeways and desolate trails, winding roads with blind curves and endless stretches of barren nothingness.

Now that we are out here, we are inclined to not stay where we are, but move within our big city, traverse the vast landscape that can fit Minneapolis, Milwaukee, St. Louis, San Francisco, Cleveland, Pittsburgh, and New York City all within its boundary. We go up, over the hill and down, over the hill on a daily basis.

And where we cannot drive, we walk.

Related Post:
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April 06, 2013

Holding Out for Something Better

I wanted to stay longer.

I wanted to hold on as long as I could.

But when I left the store crying after my shift one week ago today, I knew I'd had enough.

I wouldn't make it til May, when I'm due for my annual exam and could finally use my health insurance.

I wouldn't make it until the new store manager ran his first staff meeting.

I wasn't sure I'd make it through the next week's shifts.

But when I called and told our interim manager, who was visiting from another store and training our new hire, that I was going to resign, she didn't ask why. She didn't ask me to stay.

I can't say that I'm surprised. She couldn't hide her disdain for me. A true New Yorker, she wears her emotions on her face, in her rolling eyes and cocked brow and curled lip. She smiles at the customers, but I think she hates them, too.

I've never before worked at a job with such lack of encouragement, complete absence of positive reinforcement. There is no help when help is asked for. And yet, everything you do is wrong.

Taking a retail job was the right thing for me to do in November, when I had nothing else going on. I took a second job as a first job, and when I got back on track with my freelance marketing career in January, I probably should have dropped the shop right away. But I had my reasons for staying. I loved that store. I could still use the extra money. And - as evidenced by my professional track record of taking maternity fills and other temporary assignments - I generally choose to work rather than not work.

But I can't make a commitment to a job that can't make a commitment to me. Some places just work you to the bone, squeeze as much as they can out of you in the short-term, rather than fostering long-term professional development. This is the same type of place that gets a customer to spend thousands of dollars in one visit, regardless of whether that customer comes back and returns it all, or ever comes back to shop there again.

Sometimes, you've got to break up with the guy that only takes from you, and tells you you're not pretty enough. If you stay with that guy, how are you ever going to find the one who's going to appreciate you for what you are, take care of you, and help you become a better person?

Maybe I've let LA influence me too much, but I'm going to hold out for something better.

I never wanted to say this to my coworkers, but I cannot escape it: I've got more going on than being a shopgirl. I don't have to take this shit. It doesn't have to be so hard.

Related Post:
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April 03, 2013

Photo Essay: Take a Ride With Me

I'd grown somewhat accustomed to working on Sundays, or, if lucky enough to have the day off, booking myself on some hike or tour.

But when the store was closed on Easter (just one week after being evacuated), and no nearby family and no religion and no Easter tradition, I found myself with no Easter plans.

What to do on a Sunday off? Take a ride with the docents at the Automobile Driving Museum.

I wish I could go every Sunday.



This Sunday, my docent was Mark.



He drove me around El Segundo in a 1946 Packard Clipper...



...a rumbly ride for sure...



...under threatening skies...



...just the two of us, with an empty back seat.



Some people like to ride in the back because there's more room, but I always demand shotgun.



We then took a 1937 Oldsmobile out for a spin...



...I in my best Easter party dress...



...marveling at the Art Deco interior...



...between the dashboard typography...



...the big red-knobbed gear shift...



...and the chevron-accented door and window handles.



My favorite Easter Sunday ride, however...



...was the 1961 Ford Thunderbird...



...a two-door hardtop with fisheye dash controls...



...and amazing turquoise leather seats.



The ride is so smooth...



...it feels like you're riding...



...from your own living room couch.



My one takeaway from the Automobile Driving Museum's Ridealong Sundays is that the rides just aren't long enough. I want to see what these puppies can do. There's something rebellious about riding in them without seatbelts (not required if the original model never had them), some without turn signals, some even without proper headlights.

In fact, on the oldest cars (the "horseless wagons" and their descendants), the headlights didn't even allow the driver to see anything (later addressed with the addition of spotlights by the side mirrors) - only to be seen by other drivers.

Imagine driving in a dark world in which you can only see that which casts its own light, and you can only be seen by the illumination of your own light - if the flame doesn't extinguish, if the fuel doesn't run out...

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April 02, 2013

Photo Essay: Puppets on a Spring, Addendum: Equinox Edition

I usually try not to repeat myself.

At least, not too much.



But when I'd already seen Bob Baker's Something to Crow About marionette show, I still decided to revisit it for Cinefamily's Spring Equinox celebration at the marionette theater, even though I knew some of the musical numbers would be repeated.



Then again, I also knew I'd see some new appearances out of Bob Baker's inventory of over 3000 handmade puppets, like the shooting star who wished upon himself for Spring to come.



I also got a closer look at some of the puppets I was too far away from last time, seated in the back, to see very well - like the sunflowers...



...the horsie...



...the dancing flowers...



...and the tophat-tipping skunk.



Easter Sunday's Spring Equinox show also featured live musical performances by vocal group The Living Sisters, who provided an atmospheric sonic backdrop for some dancing puppets, like the disco divas who sing "Twilight Zone" in the Halloween show...



...and the toe-tapping flappers.

A live trumpeter and coronetist provided the soundtrack to a tartan caped puppet player, as well as to a puppetized sousaphone and a trio of puppet guitars.



I, of course, made eyes at Pierre Rabbit, but he was too busy flirting with the other age-appropriate spectators - this audience being comprised more of the adult / hipster parent variety than of the young schoolchild.

It was nice not to be the oddball lone adult watching the show without a child, trying to recapture a childhood I never had. Sunday night, I heard someone say, "I've never seen anything like this...I guess I've never been to a puppet show..." and I realized I hadn't either. But there's something about the shows, or the music, or the puppets, or the atmosphere, that's incredibly familiar to me - reminiscent of Rankin-Bass stop motion animation TV shows, or animatronic shows at Chuck E. Cheese, decorations on neighbors' lawns and at the North Pole setup at the mall. I find it all comforting and creepy, familiar and strange all at the same time - like childhood itself.

Related Post:
Photo Essay: Puppets on a Spring

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