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Showing posts sorted by relevance for query fox west coast. Sort by date Show all posts

May 31, 2021

Photo Essay: The Former Fox Movie Palace in UCLA's Backyard [Updated for 2024—Temporarily Closed]

[Last updated 7/26/24 10:22 AM PT—The Regency Village has been purchased by a consortium of Hollywood directors and producers, including Jason Reitman, Steven Spielberg, and Bradley Cooper. It closed in July 2024 for a renovation and expansion under its new ownership.]

It's one of those LA places I'd passed by all the time—but never made enough of an effort to go inside. 

 

December 08, 2017

Photo Essay: The Greek Orthodox Cathedral That Hollywood Built

I've spent most of my life being unorthodox and doing unorthodox things. And although I don;t consider myself religious, I have a lot of respect for a certain kind of orthodoxy that compels people to express their piety in elaborate architecture, ornamentation, and iconography.



It seems like a good way to channel religiosity—give it up to whatever or whomever you worship, and keep your sanctimony without being too sanctimonious.



And maybe it'll be so pretty that infidels like me can't resist going in.



I found this to be true with the Orthodox cathedrals and chapels in Ukraine; and when I came back from the former Eastern Bloc, I found myself drawn to another Orthodox institution: Saint Sophia Cathedral.



It's Catholic, but it's not Roman Catholic, so I still found it somewhat exotic—though supposedly this version of Catholicism predates all other versions of Christianity (or, as we call them, denominations), going all the way back to the so-called "birth of the Church" (and that is, indeed, Church with a capital "C").



The Roman Catholics didn;t begin to split off until the 11th Century, creating a great divide between East and West.



And that more or less coincided with the time when religion really became an act of war (a.k.a The Crusades).



But before everything got so muddied up with all this infighting, there was a line that led directly back to the apostles of Jesus, and the was The Church, the Orthodox Church (that is, ορθά δόξα, or "right glory").



Then again, there are a lot of churches that claim the same direct line and the same "rights" to sacred sites and traditions.



So who's right?



If you could ask Apostle Paul, what would he say?



What about Matthew?



Would they even recognize the beliefs that have been handed down over the last two millennia?



If Jesus was truly our Holy Savior, surely he wouldn't want his followers to be divided among so many splinter groups.



But how do you know?



Not James, nor James the Lesser, nor Thaddeus, Andrew, Philip, Bartholomew, or Simon can speak to us now.



Shall we ask Saint Sophia, the 2nd century martyr who gave birth to Faith, Hope, and Charity?



Perhaps, but Saint Sophia Cathedral isn't actually named after her—nor after any saint at all.



The word "Sophia" (Σοφία) here refers to "wisdom"—not a proper name.



And somehow the word for "Holy"(Αγια) got translated into "Saint" (as most dictionaries are apt to do), despite the fact that the cathedral was actually named after the Church of Holy Wisdom—Hagia Sophia—in ancient Constantinople (now Istanbul, Turkey).



So, if this wisdom is so holy, then why is it so confusing?



But before I get too mired down in the details and discrepancies of theology, I have to remember what brought me into Saint Sophia Cathedral—and that's the building itself.



With its opulent crystal chandeliers, it feels more like a theatrical interpretation of Byzantine tradition...



...and that's due, at least in part, to its art glass windows being designed by the head of Fox West Coast Theaters' decorating department, William Chavalas.



But the cathedral itself was borne out of a Hollywood dream—the dream of a Greek immigrant named Charles Skouras who vowed to build a house of worship if he ever "made it" in showbiz.



When he did, ultimately becoming president of Fox West Coast and head of the National Theatres circuit, he made good on his promise—breaking ground on Saint Sophia Cathedral in the "Greek" section of LA in 1948.

It was completed in 1952, just two years before Skouras passed away. And now, he's buried in a crypt right there on the property—on land he personally donated to be used for the cathedral.

And yet his dream lives on for its parishioners, the community in the surrounding Byzantine-Latino Quarter, and curious visitors like me.

For more information about the cathedral and its iconography, click here.

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January 13, 2014

Photo Essay: The Globe Theatre (formerly Morosco), Under Construction

Last updated 4/30/18 9:08 PM PT

Upon its 101st birthday, I got the chance to explore one of Broadway's oldest historic theaters in Downtown LA, the Globe.



It originally opened in 1913 as a playhouse called the Morosco (named after the producer who opened it, Oliver Morosco)...


circa 2018

...and it held the distinction of being a small house with comfortable seats (including larger chairs for larger patrons), but also becoming the first newsreel theater in LA.



Like many theaters, the Morosco changed ownership several times, changing its name back and forth between the President and the Newsreel, eventually installing a projection booth and screening feature films under the ownership of Fox West Coast, then Metropolitan Theatres, then back to Fox West Coast in 1949, operating as the Globe under Metropolitan until it closed in 1986.



In 1987, the sloping floor was leveled for use as a swap meet that never happened. Retailers only ever occupied the front lobby.



For years, the lobby was split between two different retailers...



...it original tile floor covered...



...but possibly able to be recovered.



The auditorium section of the Globe was used for a series of nightclubs from the 1980s until 2011...



...walled off from the retailers up front, necessitating entry from the rear alley. A series of renovations destroyed the ornamental wall behind the balcony overhang above the marble staircases, but at least the marble was preserved under some carpeting, which has since been removed.



The Globe is again under new ownership, and it's getting a $5 million makeover by its new owner, Erik Chol, who plans multiple uses of the space. The lobby retailers left last year, and the original lobby will be restored, the marquee relit sometime this year.



The venue is currently an active construction site, where years upon years of changes are both visible and hidden.



Up to the lower balcony...



...you can see where the last nightclub, the 740 Club, housed its VIP lounge...



...upon a false floor, built on top of the sloped original balcony floor, whose bottom stair is still visible beyond the new railing.



The former side entry door is not only dwarfed, but basically cut in half and rendered in accessible, while the overhang of the upper balcony above is unusually low.



Like the downstairs auditorium, which has reportedly gone through an entire spectrum of colors over the years...



...the upstairs appears to have been painted over repeatedly.



The second balcony above it, however, has been closed since the 1930s.



With a separate entrance via its own stairwell leading up from the alley...



...cheap ticket holders could get to their seats without mingling with the more affluent crowds below.



The paint job on the way up there is derelict...



...and, in a way, exciting because it's been untouched for so long.



Some wood seats remain all the way up there, dusty and in horrible condition, though many have been removed.



Lighting fixtures - not original to the Morosco's opening, but dating back to one of its past iterations as the President or Newsreel or Globe - remain on the red-painted walls.



Elsewhere in the theater, creepy portals persist.



The side dressing rooms have been stripped of their vanities.



The stage floor has been covered and raised, bringing you closer to the fly system and fire curtain...



...and catwalks easily viewed from the elevated DJ booth built onto the stage.



The paint bridge still runs along the back wall, with access to it from either fly floor.



From the multiple levels of dressing rooms (accounting for large casts of legit theatrical productions)...



...you can encounter a variety of tetanus-inducing perils, winches, insulated doors, boarded-up windows...



...and a fuse box.



Back downstairs...



...past the railings...



...under the proscenium boxes...



...you start to really comprehend how low the original auditorium floor was built.



As you descend into the basement...




...under the auditorium...



...into what was once used as a separate club lounge space...



...now used for storage of relics both old and newish...



...you can find the original 1913 marble-backed electrical panel...



...as well as an old furnace.



Up a few steps, you can find yourself in the old orchestra pit, under the current concrete-filled steel frame of the new auditorium floor...



...staring at the edge of the stage apron.



Fortunately, many of the changes that were made over the years inside the Globe are reversible - even the raised auditorium floor - with enough money and interest to do so.


circa 2014

For now, its new owner, a French nightlife impresario, plans to reopen the space again as a nightclub, this time under the name The Globe Theatre, and this time hopefully without the "nuisances" (noise, violence, rowdy crowds) of its past nightlife operations.



To see what the Globe looked like as a nightclub in 2011, you get a pretty good view of the balcony and proscenium boxes in this Jennifer Lopez music video, shot at the then-Club 740.

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