Search

June 26, 2014

These Secrets for a Puppet-Lover to Keep

The one thing I always liked about working with kids was the looks on their faces when their minds were blown. Children can feel emotions so deeply, sing along to songs so wholeheartedly, their imaginations captured so vibrantly.

I felt the same way when I brought a group to visit the active production facility of stop motion animation studio Screen Novelties.

Everybody was like "Whoa."





Screen Novelties' office serves as kind of a gallery for their past work, including some recognizable stuff...



...like the sock puppets from the Flight parody that aired on the Oscars telecast last year.



Others are just creepy and spooky and weird in the best way possible.







We got to visit their puppet fabrication studio, where 3D-printed heads get fitted for wigs and eyeballs and interchangeable mouths, but I promised not to tell you exactly what I saw. You'll see it soon enough in its finished form.



We also visited their set shop and soundstage, where every set was a hot set, and we peered out from behind curtains to catch a glimpse at frame-by-frame animation in progress – green screen magic whose secrets I cannot reveal (yet).



This might be as close as I ever get to an actual Muppet. And I'm OK with that. These are the guys who restored the original Rudolph and Santa puppets from Rankin/Bass. That makes them puppet royalty to me, if there is such a thing.

For more photos and to read the full recap, visit AtlasObscura.com.

Related Post:
EVENT: The World of Stop Motion at Screen Novelties

Photo Essay: Fiesta! at Bob Baker Marionette Theater



"This is my first time!" said the little boy next to me, sitting on his mother's lap. Actually, she said, he'd been there once before with his father, but he was too young to remember.

"Is this your first time here?" the little boy's mother asked me.

"Oh, no – I come here all the time," I said, without even the slightest hint of apology or self-deprecation.

After all, I hadn't seen this particular show yet. And Bob has got so many marionettes in storage that rotate through the various shows, I was sure I hadn't seen all of them yet.



This summer's themed show is Fiesta, which manages to take all the old fashioned whimsy and slight creepiness of the other shows and put a spicy Latin spin on them.



You can shake your maracas as the puppets do the cha cha...



...coyly lifting skirts like tiny Carmen Mirandas.





As the puppeteers warn you, something might sit on your lap or poke you (because who knows what they'll do – they're puppets!).



There's a too-kissy donkey who gives wet kisses...



...and the boy whose sombrero gift from Santa Claus is too big...



...clowns...



...blooming cacti...



...and some nibbly, snuggly ostriches.



The show wouldn't be complete without a set by some mariachis...



...and, of course, a Mexican hat dance.



The show just opened this past weekend, but there's always the threat of losing this LA cultural institution – the feeling that this historic theater might close or get demolished or be developed or something at any time, without warning.

So get your tickets now and soak it all up while you can.

And don't let your first time be your last.

Related Post:
Photo Essay: Behind the Scenes at Bob Baker Marionette Theater

June 24, 2014

Photo Essay: Midwick View Estates, Unfinished & Foreclosed

The City of Monterey Park is now known as the "first suburban Chinatown" because of its majority Asian population, but just around the corner from some of Jonathan Gold's favorite dumplings is a Spanish-style development called Midwick View Estates...



...which was never quite finished, but is now marked by two historical sites:



...El Encanto, the original sales office for the development...



...built to line up with a manmade waterfall up the street, now known as Cascades Park.



Midwick View Estates was meant to be the Bel Air or Beverly Hills of the east side of LA, situated just east of what is now the 710 Freeway, and just south of the 10.



Its crown jewel, Jardin del Encanto ("The Enchanted Garden," or "El Encanto"), was built by Greek real estate mogul Peter Snyder, a former Olympian who also was responsible for the Golden Gate Development (including the Golden Gate Theatre).



He surrounded the building with tiled fountains spouting water out of frogs' mouths...



...and tiled both the exterior and the interior of the building with nautical themes...



...and other designs evoking his wife's Spanish heritage.



Ornate patterns are everywhere inside the building, which has been used as a private residence, wedding chapel, military academy, USO center, and now the Monterey Park Chamber of Commerce office.



Some of the patterned floors are actually colored poured concrete, rather than surface tiles...



...which means the color runs throughout the floor, limiting the fading at the surface from people walking across it.



Above, the intricately carved ceiling and wood beams are much as they were when El Encanto opened in 1928...



...perhaps a bit too close to the Great Depression...



...because despite his wealth, Snyder couldn't complete the development of his garden community, and went into foreclosure.



Fortunately, much of the view has been saved, as you walk up El Portal to the waterfall park...



...which is now owned by the City of Monterey Park...



...and still bears the coat of arms of the original development.



Spanish tiles run along the cascading levels of the waterfall...



...all the way up to a fountain at the top...



...which bears a statue meant to depict Athena...



...but doesn't actually look much like Athena.



Above the waterfall, there are a few houses that were actually built as part of the development...



...but now, the City of Monterey Park tries to keep skateboards and bicycles of the ramps that flank the waterfall, and preserve what's left of the memory of this grandiose Spanish-style estate, now an oddity in the richly Asian populated San Gabriel Valley.

Related Post:
Photo Essay: Golden Gate Theatre (Now CVS)

June 22, 2014

Photo Essay: Mountain View Mausoleum, Day into Night

I'd gone to scout out the Mountain View Mausoleum in Altadena during the day for an upcoming nighttime event...



...but the place is so massive, I hadn't nearly seen it all.

June 19, 2014

A Blow to the Brain: These Eggs That Scramble

I keep talking about the aftermath of my car accident, but I haven't really written about what's going on.

I'm not talking about the whiplash, or even the inconvenience of my car being in the shop for a month or the financial hardship of paying my $500 dddic deductible (which, thankfully, has been reimbursed).

I'm talking about the brain injury – the "post-traumatic head syndrome" – that has been driving me batty for the last two months, and, if it's anything like the last concussion I had, will probably persist for a few more.

I'm going to write about that now.

You might think someone's who's never had any brain trauma might not understand, but if anyone who's has ever been even just a little bit buzzed on alcohol – or taken pain killers or muscle relaxants that are a bit too strong, or have even been woken up a bit too suddenly, a bit too early in the day – will understand what I mean.

There's a gauze cast over every experience – a stocking thrown over the lens, rendering the world in soft focus. It's not necessarily in the visuals of the scene per se (though blurred vision did come immediately following the impact), but in the experience of it. It's like listening to music underwater: you can hear that something is playing, but it's not very clear. You can't distinguish the details, but maybe you could hum along.

It's the feeling you have when you think you're sober enough to drive yourself home, and the next day realizing you don't remember much about the ride.

Your long-term memory hasn't been touched, but the loading dock for short-term rent retention is just...full...or closed...out or out of business completely. You can't even really remember your own accident.

When your eggs have been scrambled inside your own skull, swished back and force forth from the blunt force trauma to both the back and front of your car, your senses are not only dulled: you're functioning on autopilot. And your control panel isn't receiving accurate information about the world around you, so it's making decisions based purely on memories and habits. Rehearsed speeches in front of large groups are easy. Off the cuff answers during one-on-one conversations are nightmarish.

Pauses, sometimes long ones, are necessary to conjure the right words, and now you speak deliberately and slowly, choosing each word carefully, somtei sometimes settling on the wrong wrod word just to keep the conversation moving. Eventually you decide it's better not to talk at all, and you make your escape to the bar or the restroom or some other group of people talking, where you can just listen and not really understand what they're saying.

When you must speak, you get frustrated when you say the wrong thing, if you even notice it. You might tell someone the year 2001 when you mean 2011, and even when you're corrected (a mistake you don't realize, but you believe to be possible), you do it again and again.

You apologize for your lack of social skills, bad jokes and misunderstandings, but people who don't know you well just smile and say, "You seem fine to me!" Maybe they're being kind. Maybe they just don't know what a good talker you usually can be.

So rather than exhaustingly trying to explain your situation to people who seem to care but not really understand, you avoid social situations, the phone, and anything beyond key English phrases like "How much do I owe you?" and "Where's the restroom?"

When you're alone, you lose things. You're not sure where you are. You look for your cell phone while it's in your hand, again and again. You must occasionally stop to reconnoiter and assess the situation, realizing you've driven past your destination. You read and reread directions, instructions, ingredients, and other commonplace tetx text, but you barely get the gist of it. You rarely really get what is ever going on around you.

In the absence of p speaking, there is no solace in writing. This is where the brain injury manifests in front of your own face. You might not notice if you say the wrong thing (though you always suspect that you have), but when you have had the chance to think about it, look up definitions and synonyms, and you've finally got the right words in your head, there's some disconnect with your fingers, and they can't get them out right.

You type out words that sound like the words you're thinking, but have a totally different meaning.

You type words that kind of look like the words you mean, but aren't.

You combine successive words together into a new word, sharing and swapping syllables like chromosomes recombining with each other's genetic material, creating some new, unique beast.

Dyslexia manifests in numbers and letters. You see it happening, but you can't stop it. All you can do it is hit backspace. Over and over again.

At first, you think your brain just needs to rest. You take naps, and you don't dream  – a welcome relief. You don't go out in public much, for fear of forgetting well-known acquaintances' names, and being unable to recall your favorite bits of trivia and bar talk.

Drinking alcohol doesn't help, because your brain is already drunk. A single sip of wine surpris suppresses your conversational skills even more, and brain brings on the waterworks to irrational proporatio proportions. No one wants to talk to someone whose eyes are constantly welling up.

When I was 2-3 years old, I had terrible temper tantrums – screaming, wailing, writhing fits on the floor that my parents could not explain. Thinking I was emotionally disturbed, they sent me to a child psychiatrist, who reported that I had "a lot of anger." Shortly thereafter, my parents discovered my progressive near-blindness, and the tantrums could suddenly be explained as my way of expressing frustration over it, since I didn't really have the words to articulate it at that young age.

But back then, I never knew what it was like to see. I thought the world was blurry.

Now, I know that it's just my bruised brain that's making everything blurry. I know how sharp I can be when everything is clear. And I'm afraid I'll never get back to that point.

My whole life – despite crisis, abuse, assault, poverty, line lonli loneliness, and abandonment – I always hat had my wits. I was street smart and world-wise despite my overprotection. I was intellectual without having to study. I was an A++ student in my sleep. My brain was the shiniest on the shelf.

And now I'm struggling.

Fortunately, the head syndrome hasn't affected my more sophisticated intellectual processes: I'm still a smarty-pants, but now I have this stronger desire to prove myself, do to do better than even before, to show that I still got it. But for all of my overcompensation, posturing, and bravado, I'm more sensitive than ever before. I have to work harder at maninting maintaining normalcy than anybody else does. It takes an enormous amount of effort just to reach baseline functional, and so I can't understand the frustrated honking drivers, the cranky elderly waiting at the ATM, the defensive peers who choose to pick a fight with me rather than giving me a freaking break. I take it personally, and so I recoil further.

I shouldn't have to explain this, but I will – for those who can't explain it themselves, for those who understand, and for those who don't.

Related Posts:
A Kick in the Head, Part 4 - Conclusion
It Got Worse

June 18, 2014

Photo Essay: No Scene Twice Seen, Through Rivas Canyon

I've been a bit skittish about hiking in unfamiliar territory since the car accident, for fear I'll get myself lost or confused, or wind up on a hike a lot more challenging than I'd planned.

So if I want to get some exercise and get out of the house without spending money, can't I just go to some interesting neighborhood and walk around? (This, my PTSD therapist asked me today.)

Couldn't I just hike a trail I'd already hiked, so I'd know the way?

Sure, I say. I could.

But in my tourism of Southern California, I have taken on the spirit of the train travelers in the early days of rail, who paid special for excursions that promised "No Scene Twice Seen." Those trains would make a loop around (actually along a kite-shaped track), just so the view out the window wouldn't be repeated on a round trip.


Artifact from the collection of the San Bernardino Railroad Historical Society. Photo by Sandi Hemmerlein/AvoidingRegret.com

I don't like to return to places just because they're convenient and known. I don't like to order the same dish every time I go to a restaurant. And I don't particularly like "out and back" hikes, when every scene is twice seen.

So, having been to Temescal Canyon once already, I chose what seemed to me a somewhat obscure trail that would take me east out of Temescal, through Rivas Canyon, into the western boundary of Will Rogers State Park, which I've also visited (and got lost in). I knew I hadn't been in this area before, and even though my directions provided a turnaround point instead of a loop route, I decided to give it a try.



For those of us who are easily bored, Temescal is a good, interesting place to hike:



...its varied habitats provide a lot to look at...



...while you're cooled off by the ocean breezes.



Since it is only 2.1 miles from the trailhead in Temescal to Will Rogers Park, a 4.2 mile roundtrip hike seemed doable for me today, as long as I didn't get myself lost.



Being a state park, the trails are well marked, and there are plenty of weird-looking, slanted, and downright bent-over trees to use as landmarks when you backtrack.



It's a steady climb up some switchbacks...



...and some stairs...



...under plenty of shade...



...through those gnarly groves of leaning trees.



The trail finally opens up...



...as it continues to ascend along a ridge...



...passing a reservoir...



...and revealing views of Pacific Palisades and the ocean below.



The terrain suddenly becomes rocky...



...and the landscape transforms from chaparral shrubland to desert-like conditions...



...with aloe plants, blooming yucca, and beavertail cactus (and their flowers).



The trail then reaches its peak...



...and begins to descend...



...down to the suggested turnaround point: 1.1 miles from Will Rogers Park.



The hike had been so interesting thus far, I figured I'd hike all the way to the other park, and then turn around, just so I could see the whole thing.



If I hadn't kept on, I wouldn't have really experienced Rivas Canyon...



...a desolate sanctuary for fallen sycamores, oaks, and other trees...



...thick brush...



...too much poison oak, and ivy-covered canyon walls.



At times, it was as though I was hacking my way through the rainforest...



...replete with ferns and fan palms, a thick canopy of overgrowth above.



And then suddenly, it changed again, as it had many times – and just as abruptly – before, and it was clear I was in a residential neighborhood, stomping my way just beyond various backyards, separated from them only by a wall.



When I reached the paved Rivas Canyon Road, the dirt trail to Will Rogers continuing across the way, I decided to take a shortcut. I didn't want to climb that ridge again. I didn't want to see again all those things I'd just seen.

So I walked the residential streets of Pacific Palisades, two miles back to my car at Temescal, making my hike a loop and, as suggested, finding a nice neighborhood I can just take an easy walk around. There weren't always sidewalks along that stretch of Sunset Boulevard. My sneaker was drawing blood from the back of my ankle. But I knew where I was, where I was going, and how to get home.

And I hadn't seen that part of LA that way – up close, on foot – ever before.

Related Posts:
Photo Essay: Temescal Gateway Park
Out and Back