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December 13, 2016

Photo Essay: A Manner of Meerkats

[Last updated 10/22/18 9:02 PM PT — photos added]

I haven't had a TV since August 2010.

But even when I did have a TV, I never watched the show Meerkat Manor on Animal Planet.

Somehow, though, I knew I wanted to go visit the meerkats at Fellow Earthlings Wildlife Center in Morongo Valley, just 17 miles east of Joshua Tree.



It's not the type of wildlife sanctuary that you can just drop by—though plenty of fans of the TV show from around the world have tried over the years, especially when the episodes of its three four seasons were in their first run.



That created some pretty serious security concerns—and since Fellow Earthlings never intended on being a tourist attraction (or a paparazzi draw), they've had to maintain some pretty tight access restrictions.



To get an invitation to visit these furry little cuties, which are native to South Africa (hence the flag), you've got to become an "adoptive parent" for a fee of $100. And then you've got to make an appointment—and, possibly, wait months for the date to come.



But pays off when you get to bring three of your friends for a private visit—and, together, you get to spend some time alone surrounded by cabins...



...trees...



...and a water wheel that's turned by the water from the well (that feeds into the pond).



Our host was Center Director (and Founder) Pam Bennett-Wallberg, who, earlier in her career, acted as a consultant for Disney in the development of the "Timon" character in The Lion King.



She's led much of the meerkat rescue efforts—from both seizure (as contraband) and the exotic pet trade.



Sometimes, local zoos will relocate their meerkats to Fellow Earthlings if they're non-contagiously sick (with pain, mobility issues, etc.) or, sadly, too old to attract visitors (who like babies, just like how kittens and puppies are much more easily adopted from shelters).



For meerkats—as well as many other non-domesticated animals—it sucks to live in captivity. But at least at Fellow Earthlings, the meerkats get to dig around in the dirt, like they would at home in South Africa. That isn't true when they're kept in a cage at somebody's house or, say, in an arcade to attract customers.



At Fellow Earthlings, there are two enclosures with three meerkats each—each forming their own little "family" with the same kind of complex social structures that made the reality TV show so popular.



We were there to be one of the first members of the public to interact with Hakuna (as in, "Hakuna Matata"), the young meerkat recently rescued from the streets of Kuwait City. Fellow Earthlings had to move some mountains to import him from a foreign territory—and once he got here, he had to be hand-fed and acclimated to human handlers.



Meerkats aren't so friendly to humans in the wild. They're not used to them. And for good reason—we're a danger to them.



But in captivity, if they want to eat—or if they want to get well if they get injured or sick—they've got to learn how to be around humans.



And they have to learn how to do it while still maintaining their independence. After all, they're not pets, despite how cute they may be.



Hakuna copes with the newness of it all by sticking his head into his favorite toy and rooting around in the dark.



His new "family" consists of a pair of brothers who are a bit older and a bit braver.



They know the feeding routine...



...and they know how to ask for food.



You can pet those two, but only with two fingers.



And you've still got to wear gloves with them, because even though they're small, furry, and cuddly...



...their non-retractable claws can be pretty sharp...



...and they might get a little nippy with their teeth if they become stressed.



So, you've got to wait for them to come to you...



...which they will do, if they catch wind of the fact that you've got a fistful of live mealworms for them.



They'll crawl all over you for a bite of those wriggling mealworms.



They'll burrow under your seat cushion and between your legs, just to find a mealworm.



And when they finally come up to stand on your legs, making your lap their temporary home, it's both heartwarming and heartbreaking...



...especially if it's the shy one.



It breaks my heart to think these gentle little creatures are so far from home—and have to be so far from home. They're not bred, and they're not allowed to breed. They're not sold, nor are they traded. The high desert—not the Kalahari Desert—is now, by necessity, their forever home.



But they are so, so far away from their actual home. Whatever family structures they find here are surrogate ones.


circa 2018

And they must be closely guarded so they don't get out—and so nothing (coyotes, mountain lions, bobcats, what have you) gets in.


circa 2018

According to Pam, the meerkats actually like it when humans come to visit. We're like giant toys for them—and since they need constant stimulation (and their toys need to be consistently switched up), that's invaluable for their enrichment.


circa 2018

And, of course, it's a win-win situation, since humans like me need regular contact with animals to buffer the more stressful interactions with their fellow humans.

Related Posts:
Photo Essay: Playing With Wolves
To Look an Owl in the Eyes
Photo Essay: An Orphanage for Contraband Pets

Photo Essay: Upon the Christmas Robot Apocalypse (Updated for 2019)

[Last updated 12/13/19 3:35 PM PT: While some of Kenny Irwin's art is still at his residence, "Robolights" in Palm Springs is closed. It may reopen in 2020 at a new location in Desert Hot Springs.]

In Palm Springs' affluent "Movie Colony" neighborhood...



...so called because of the Hollywood movie stars who flocked to it in the 1930s through 1960s...



...there's something the neighbors don't like very much.



...In fact, they haven't liked it for the greater part of the 30 years it's been there, predating some of their move-in dates.



They call it a hazard.



They call it an eyesore.



But its creator, outsider artist Kenny Irwin Jr., calls it simply "Robolights."



Kenny makes larger-than-life robots out of found objects—mostly computer monitors, TVs, machine parts, and toy guns—but he also populates his yard display with a variety of mannequins...



...and a candy cane-chomping shark.



Walking through, it's a spectacle all right, but is it Christmas?



Sure, there are Christmas carols playing in the overhead music (or, at least, some twisted version of them).



There are plenty of Christmas lights to glare into the Movie Colony neighbors' windows.



There are even antler-wearing bunnies pulling a sleigh.



But this is some otherworldly experience, where a melted snowman reveals inner layers of toy heads like those of a Matryoshka doll.



This is where Spiderman drives a tanker, with a skeleton man as his copilot.



What does it all mean?



Have these figures assembled here for some purpose other than to entertain?



Do they have a message for us?



Surely, this must be the end of the world.



In fact, every Christmas seems like it will be the last for Robolights, though its creator tirelessly keeps modifying it and building onto it—despite all the citations he's been receiving from the City of Palm Springs.



For me, it was actually a far better experience this year than it was two years ago, when I found myself hopelessly lost, walking in circles, unable to take it all in. This year, the paths seemed wider and the route seemed clearer, making it easier to appreciate the new additions to the apocalyptic scene (like a couple of new Christmas tree sculptures).

Thanks to Robolights, Kenny has really ceased to fully be an outsider. His neighbors may hate what he's done to his parents' house, but most of the people who were walking through it early on that Saturday night were parents with little kids.

Somehow, they weren't terrified of what they would behold. Maybe for them, this is a refreshing change from the holly and jolly of more traditional Christmas lighting displays. Maybe they don't find it necessary to understand it.

If we ever get to the point where we all understand it, that'll probably be the right time for Kenny to take it down. But something tells me it will continue to baffle us for quite some time.

Related Posts:
Photo Essay: A Robot Christmas Nightmare at Robolights
Photo Essay: A Museum of Misfit Artists