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December 26, 2018

Photo Essay: Griffith Park On Horseback, On Christmas Day

"Keep your toes up, and your heels down," Maria's mom told me. She'd grown up with horses—so, figuring she knew what she was talking about, I said "OK" without really understanding what I was committing to.



"Wear a helmet," Maria said with a sigh of worry. "Oh they make you," I said. "They provide them..."



For my first-ever horseback riding adventureI'd picked the most touristy spot possible, Sunset Ranch in Griffith Park. They host people of all ages from all over the world, so I figured they could handle an adult newbie like me.



Everyone seemed to be trying to scare me off of it. My boss told me about a team-building adventure he'd had during which his coworker's horse had stepped in a bees' nest and reared up on its two hind legs like in  The Lone Ranger, throwing its rider.



"But I'm sure that won't happen to you," he said, not very comfortingly.



I was super-excited and uncharacteristically not worried at all. How hard could it be? And besides, I'm so good with animals, I couldn't imagine anything but a relaxing, laid-back trail ride.



There are two factors, however, that I didn't anticipate.



The first was how hard it would be to get on the actual horse.



Sure, I'm overweight and have short, stubby legs even when I'm skinny...



...but upon trying to mount my first horse, Scarlet, the stirrups were hung too low and the saddle too loose for me to get up before my third or fourth try. And by then, she was agitated enough to want me off her back.



So we switched to Bambino, a shorter, sturdier horse who likes to lead the pack but will follow if he has to. Unlike the other Quarter Horses, he's a Mustang—a former wild horse of Nevada that had been captured, trained, and adopted by Sunset Ranch.



And I immediately felt safe with Bambino, like riding a horse was the most natural thing—even as we climbed the steep exit trail to get from the ranch to Griffith Park, and I leaned forward to help distribute my load better.



We emerged on the Hollyridge Trail, where I'd seen horses like these so many times before while I was hoofing it on foot to Mount Lee and the Hollywood Sign.



I liked it better on a horse.



We were lucky to have crystal-clear weather on Christmas Day, after having been fogged in on Christmas Eve—and once again, I thought to myself, "This was a good idea," as I have more than once before in Griffith Park on a holiday or special occasion.



Although there were only three of us on horseback, plus our guide, the Griffith Park trails were full of hikers...



...not only on the dirt paths but also the paved Mount Hollywood Drive, which sees its fair share of traffic from film crews, in addition to the pedestrians and horses.



I remembered to keep my heels down and toes firmly planted in the stirrups, which my guide had also advised and said that any other guide would tell us the same. I wished I had real cowboy boots with heels rather than flat-soled hiking boots.



At one point, I let Bambino get a little too close to the mare in front of him—and after a few swoops of her tail, she finally started kicking behind her at him, send him reeling and me holding on for dear life.



I don't think I was in any danger, but it was a little unnerving—especially after Bambino had been stopping a lot to scratch his shin with his muzzle.



I actually had to direct him with the reins—and my boots—a lot more than I thought I would, mostly just steering him left or right and slowing him down.



The second thing I hadn't considered before getting on a real, living horse was my fear of heights.



I was thinking only of how tall the horse would be—what? 5 or 6 feet?—and not how closely he'd be straddling the edge of the ridge, high above the canyon floor.



Thankfully, our guide had warned us and assured us that their horses were "very sure-footed" and that they would not fall. We weren't supposed to steer them away from the ledge, and we were not to look down.



I, of course, looked down—just to know what I was dealing with. By that point, one of the other riders asked our guide, "Do you mind if I walk down the rest of the way?"



She was a first-timer like me, and a full two hours on the back of a horse proved too much for her.



I couldn't blame her one bit. By the final 30 minutes, my butt hurt, my thighs were tingling, and my knees were locked.



But I had a huge smile on my face the whole time.



Throughout the trail ride, Bambino continued to show how he had a mind of his own—stopping to much on some shrubbery, galloping too fast when I gave him a little nudge. It felt playful and not rude. And I felt like I understood him, this former wild orphan, tamed but still independent.



By the end of the two hours, I was more than ready to get down—but I was still glad I'd completed the two-hour, six-mile loops instead of the half-as-long, half-as-far out-and-back.

Upon our return to the ranch, my right boot had slipped out of its stirrup and I couldn't get it back in (to be honest, I couldn't feel my feet). That's when I could really feel the horse's flank against my leg, and I felt a greater connection to Bambino.

"He's good!" I'd told our guide on the trail. I'd meant it two ways—that he was doing well despite having been kicked at, and that he was a good horse. He made riding him easy.

He did most of the hard work. I just had to remember which way to lean (forward for uphill, back for downhill) to help him along.

And I had to figure out how to walk on steady ground again, once I was back off the saddle.

Related Posts:
To Have Ridden A Horse, In Wood or Flesh
Photo: Feeding the Wild Horses
Photo Essay: Overlooking Old Hollywoodland from the Letters That Once Spelled It

December 24, 2018

Photo Essay: Top Posts of 2018

I always tell people that I write because I must.

I try not to write what I think other people will like; I just have to get out whatever's inside of me.

It's a bonus when people are interested in it and do like it.

So while I don't judge my success as a writer by the number of hits I get or whether anyone clicks on the ads, it is nice to know when what I've created is appreciated by others.

I am not my traffic, but my traffic is not meaningless.

That's why I've been presenting these "Top Posts" at the end of every year since 2012.

Besides, if you missed any, now's a good time to catch up on some of the ones that other people have liked. And if you're just joining me, this is a good place to start.

Bonne Année and all that jazz.

1. Photo Essay: Riding a Ghost Train and Bunking Up In a Caboose (Or, This Is What A Traincation Is All About)



2. Photo Essay: A Tale of Two Ghost Towns in Daggett, CA



3. Who Wants To Buy A Bowling Alley?



4. Photo Essay: The Creepiest Street in LA, With Zombie Houses and A Witches' Lair



5. Photo Essay: Seeing the Forest from the Cars



6. The Oldest Bob's Big Boy, And Its Nearby Adoptive Brother



7. Photo Essay: Clown Motel, Gateway to the Haunted Miners' Cemetery



8. Photo Essay: Catedral de la Fe Flips Back To The State Theatre



9. Preservation Means Saving the Stories Beyond the Siding



10. Photo Essay: The Visiting Tall Ship of the Mexican Navy (Armada de México)



Related Posts:
Photo Essay: Top Posts of 2017
Photo Essay: Top Posts of 2016
Photo Essay: Top Posts of 2015
Photo Essay: Top Posts of 2014
Photo Essay: Top Posts of 2013
Photo Essay: Top Posts of 2012

Photo Essay: Buon Natale with Flying Angels and An Erupting Volcano at Masdea's Village

Domenico Masdea hails from Calabria, Italy, where he'd help his local church build a nativity scene when he was younger.



Back then, he'd already started showing signs of what was to come.



Now, his home in Tustin, California has become a local favorite and tourist attraction for his elaborate designs...



...but not just in his yard display (which is, on its own, spectacular and worth a visit).



The two-time stage-four cancer survivor, now age 70, invites visitors to approach beyond the front yard...



...and up to the two-car garage, where he builds his own "Nativity" every year.



He hasn't missed a year since he first started in 1982, though it started inside his house on Caper Tree Drive. When it got too big for his dining room in the 1990s, it moved to the garage.



It takes this retired machinist of airplane parts a month and a half to complete the diorama of Christmas villages every year, adding new touches with each season.



Every year, the walls and ceiling are constructed out of black, crumpled paper—making the scene look like it lives inside a cave.



There are other staples of the design—a ziplining angel, a lava-flowing volcano (made out of foil, red lights, a conveyer belt and rotisserie grill), waterfalls, and thunder, to name just a few.



But there's so much of it, it's impossible to take in during just one visit. That's why so many people come year after year—and even multiple times during each season, which runs December 1 through January 6 (a.k.a. Three Kings Day, or the Feast of the Epiphany—the day depicted in most nativity scenes).



The busiest night, however, is Christmas Eve—the first night that the Baby Jesus of the Nativity is revealed.



But even earlier on a less-busy night, babies and grandparents alike clamor for a position front-and-center at the garage door opening to point out the spinning ferris wheel and gliding ice skaters...



...while more visitors line up to sign the guest register and admire the photos of villages from years past.



It would be a remarkable tableau even without the Christmas music, fake snow, and Santa hats—but Masdea never bothered to ornament and animate any other holiday at this level. He says he was inspired by only "the birth of Jesus Christ."



In 1994, Masdea told the Los Angeles Times that he's the only one who has the patience to build and maintain the Christmas villages on this scale.

"When I die," he said, "this will die."

But that was 24 years ago—and since, his son Gianfranco has continued to stay involved and plans to pass the stewardship of the villages onto his own kids.

Together, they make sure someone is there every night of the season to open up the garage for visitors from 5 to about 10:30 p.m. Visit it while you can at 2351 Caper Tree Drive, Tustin, CA.



Related Posts:
Photo Essay: The High Desert's Crystal Cave
Photo Essay: Tiny Villages at the LA County Fairgrounds (Updated for 2018)